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- آدرس کوتاه شده مقاله: https://bahareadab.com/article_id/1888
- کد doi مقاله: Doi: 10.22034/bahareadab.2025 .18 .7935
Journal of the stylistic of Persian poem and prose
volume Number 18،
number In Volume 7،
،
issue Number 113
A study of the stylistic features of the Mohammad Reza Hakimi’s poems based on Layered stylistics.
Mahshid Mousavi Nadushan , Hadi Heydarinia (Author in Charge), Mahmoud Sadeghzadeh
Abstract
BACKGROUND AND OBJECTIVES: Layered stylistics is a modern method of studying the stylistic features of a literary work. In this method, various layers of a text are studied through five layers namely phonetic, lexical, syntactic, rhetorical and ideological layers.In addition to stylistics features, this method displays the author’s thought and way of thinking. The poetry book of “Sahel-e-Khorshid” is the literary work from the series composed in various forms by Mohammad Reza Hakimi in Farsi and Arabic languages which cries out the Gnostic, Philosophical, Religious and Humanitarian thoughts of the Poet. The aim of this research is to study the stylistic features of Hakimi’s Farsi poems in the fields of literature, thought and language based on layered stylistic theory.
METHODOLOGY: The current research has been done by descriptive – analytical and library methods which is a study of the poetry book “ Sahel-e-Khorshid” by Mohammad Reza Hakimi with more than a thousand verses of poem.
FINDINGS: Based on the findings of this research, Hakimi’s poems reflect his inner thoughts and his religious and social worries. He has expressed his pains in a complex but flowing and visual manner. On the literary level, he has shown a form of thought for justice and guidance with the help of hints and harmonious words having high frequencies and metaphors. And at the thought level he has shown that religious ideology with a social perspective is widespread in speech.
CONCLUSION: This series of poem was recited in the outer rhythm of music in Bahr Ramal, and in the background music, the synonymous rhyme has a higher frequency than other types of rhymes. In inner music, "repetition and paronomasia" are the most frequent literary arrays of verbal flow, and the most beautiful repetition that can be seen is the repetition of the verse in “ Fajr Sadiq Encomium”.In this subjunctive verse, the turning point is in the form of Mustazad. This is a new style in the creation of subjunctive verse. The most important motive of Hakimi’s poems is justice and his literary style is a combination of religion and Quran, and ideological syntaxes, which has created a special and unique style.
Keyword
Layered Stylistics
, Mohammad Reza Hakimi
, Sahel-e-Khorshid
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